In my newly released thriller, Gun Kiss, the protagonist falls in love with the co-protagonist, a common occurrence in books of all genres. As I sought reviews for the novel, I queried a book blogger who agreed to read it, but it didn’t turn out well for me. The blogger was abusive in her review of my book, highlighting nothing positive about it. In fact, she even went so far to say it wasn’t a book she would recommend to anyone. Yet she cared enough to publish the review on her blog, book cover and all. Why bother if she hated it that much?
That blogger was just one of the many reviewers I had contacted. Of course, I didn’t agree with the reviewer’s unsubstantiated comments. Like other authors, I have enjoyed my fair share of positive reviews. Gun Kiss was no exception as it also received praise from some renowned critics.
I could have responded to all her nitpicking, but I didn’t see the need because other reviewers and readers didn’t have problems with them. However, the blogger complained that “like instantly” after seeing her once. She added: “Had seen her once, when he rescued her and now he [sic] in love.”
It seemed to me the reviewer’s closer attention to my words would have revealed the depth of the story. I had explained the protagonist’s reaction when he first sees the co-protagonist, a famous Hollywood movie star, despite the circumstances in which they were both embroiled. I explained his excitement and infatuation amidst chaos, then later some reflection of thoughts when the protagonist was in a better situation.
But really, why shouldn’t a character in a book fall in love instantly? It’s not unnatural. I knew someone who fell in love with his wife in a heartbeat at university, then proposed to her after two weeks. I also know cases of men who got married within a day’s notice. Some people might surrender to love slowly, but others experience it at lightning speed. What has time got to do with the human heart?
An important realization for authors in order to reach readers is that the story must sound believable. It must sound authentic. To do that, all writers know that they must control their imagination while infusing information or facts that sound realistic, albeit in the realm of fiction. While writing Gun Kiss, I didn’t stray from the lessons I’ve learned. I did no wrong in creating scenes where the protagonist expressed his love for the co-protagonist. In fact, I wrote those scenes reinforced by fact.
ABOUT GUN KISS: A Hollywood movie star is abducted by an obsessed drug lord. With the help of a reluctant army friend, Blake Deco, a former US soldier, mounts a daring rescue across the border. What he doesn’t expect is to have feelings for the actress—or that a killer is hunting them.
ABOUT THE AUTHOR: A former magazine journalist and public relations practitioner, Khaled lives in Singapore. His journalism stint included a three-year stay in Egypt. The author is a member of the International Thriller Writers. Gun Kiss is his third novel.
I remember reading several chapters about the balance between believability and incredulity in fiction [for writers]. However, I’m still left with too many real-life examples of unlikely coincidences. I think the take-home message always has to be–you can’t please everybody.
Absolutely right! Take the world we live in today. Many many incidents that are impossible to believe, even when they happen.
Some people like to be hateful. Ignore her. Good Luck with your book.
Khalid did, indeed. His book’s available now. Love pops up in all ways, at all times.
Seems like a totally silly objection. I think instant attraction happens all the time. It doesn’t always turn into lasting love, or even a fling, but sometimes it does, and that’s often enough to buy its happening in a book.
Truth is stranger than fiction, right?