About Bonnie McCune

Bonnie is a Denver-based author whose interest in writing led to her career in nonprofits doing public and community relations and marketing. She’s worked for libraries, directed a small arts organization and managed Denver's beautification program. Simultaneously, she’s been a free lance writer with publications in local, regional, and specialty publications for news and features. Her main interest now is fiction writing, and her pieces have won several awards.

THE NEW AGE OF MOB RULE

Compare contemporary times to the French Revolution. No similarities? Think again. Mob rule held sway. It’s been estimated that over 40,000 aristos were murdered in the name of justice. We shake our heads in wonder that people were so susceptible to a reign of terror. But are we really so different in this time of pandemic?

Nowadays the gauntlet initially is thrown down by calling someone racist or accusing them of violating pandemic orders or hinting at misconduct. The mob attacks online, cheered on by the media which spreads rumors, creates straw polls to encourage people to vote on misleading, even malevolent suggestions. How many viewers are in favor of this-or-that? Who thinks such-and-such is wrong? This is known as “mob mentality.”

Consequences are mind-boggling. People have lost jobs, felt they had to resign, been driven to drop off social media, even commit suicide when they’ve done nothing wrong. Men have been dogged with sexual misconduct accusations. People get labeled “racist” when all they’ve done is make a statement or ask a question. Dueling rallies clash—pro police, anti police, whatever.

If you’re like me, you pride yourself on being an individual. You may not want to admit the influence of mass culture on you, but individualistic people are just as susceptible to mob rule as different personalities. Also strangely enough, what people claim they value or believe may be completely opposite from how they act.

We assert nowadays that everyone’s opinion is valued. In truth, we can state almost any opinion, but to gain visibility or support, we have to agree with the pronouncement of the primary advocate. Otherwise you’re threatened with exclusion or even violence. Look at the Black Lives Matter demonstrations. The “pro” people pulled in lots of advocates. Then the “anti” folks stormed in on the opposite side, leading to lots of angry demonstrators, exciting visuals with battling crowds, fires, shouts and screams; along with hour after hour of newscasters just as hysterical as they shrieked blow-by-blow accounts. And, unfortunately, deaths.

Long ago, anthropologist Gustave le Bon said a crowd of demonstrators was greater than the sum of the individuals in it. It seems to have an existence, a group “consciousness.” He believed that the individuals become submerged in the crowd and lose their sense of individual responsibility under cover of the anonymity.
I find myself in the strange position of opposing these frantic, frenetic furies despite my passionate defense of individualism. They seem not infrequently to tip from mere expression to belligerent demands and attempts to control everyone else’s beliefs and behavior. I wonder if we get a secondhand high from the roiling emotions and expressions that make our blood boil and put our brain on alert. But I wish we’d give it up. Let’s step back and demonstrate our true commitment to differing opinions by welcoming everyone’s without an instant rush to judgment.

ENVISIONING THE FUTURE AS A DYSTOPIAN NOVEL

As a writer, I depend on my imagination (and books and discussions and movies and articles) to come up with ideas for plot, characters and descriptions. This leads to some interesting searches to support a concept. I’m currently working on a science fiction novel set 200 years in the future. You can guess what a challenge it is for someone who never enjoyed the sciences to sketch out a logical and plausible story.

Not now. We seem to be living in an actual dystopian novel. Certainly the stories we hear via social media and actual media make it seem so. All are talking in superlatives despite our true perspective of ants in an ant hill being stirred by a big stick. From the viewpoint of the ant, total chaos reigns! End of the world conditions are looming! Phrasing for estimates and projections exist only in extremes, such as “as many as (insert scary statistics),” or “skyrocketing estimates.”

This situation is great for me as a writer. In the early days of our lockdown, streets and businesses were deserted, as if an alien force had zipped all humans out of sight. Now when I jog, people jerk masks into place and cross the road to avoid me, illustrating what an outcaste might experience. The prevalence of masks helps me imagine strange, distorted space travelers behind them. Even government incompetence, infighting and brangling serve useful purposes because my novel has political and social themes.

The truth, however, is that we’re stunned by our circumstances. We’re so accustomed to American privilege, we can’t believe we have no control over COVID and that we, like every other living thing, can die. A woman I met recently, an immigrant from Asia, used the term “entitled,” thinking we’re so special that we deserve privileges or special treatment. Perhaps that’s the reason we all sling accusations in every direction, desperately trying to find someone or something to blame: the Chinese, non-maskers, old people, drug companies, scientists, elected officials. I wish we’d wise up and realize everyone’s in this situation together and life is just life.

BILINGUAL POET LAUNCHES WEBSITE WITH RESOURCES FOR ALL

(Guest blog by Dr. Ricardo J. Bogaert-Álvarez

I am an engineer and poet with thirty years of experience writing, publishing and teaching poetry. I’d like to introduce to you my bilingual website, . In my website you’ll find several sections: 1) poems, 2) haiku, 3) lessons, 4) publications, 5) blog and 6) about (a short biography). 

In the Poems section I show several of my typical poems. Their themes range from the romantic to the political, without forgetting the erotic. Each poem shows the English and Spanish versions. In the Haiku section you’ll find several haiku and senryu I have composed with additional notes about their origins and themes. In the near future I’ll also present articles about haiku and interesting haiku from other poets.

In the Lessons section, I am presenting articles about poetic themes and forms. For example, I’m showing now the way Spanish poets count the number of syllables in their lines for their formal poems. If you ever want to properly study formal Spanish poetry, this information nugget will be very useful to you. In the future I may introduce and discuss poetic works of other poets, especially Dominicans.

In the Publications section, you’ll find the introduction to one of my four poetry books. This month I’m showing the introduction to my romantic chapbook “Not Written in the Stars.” As a matter of fact, you can obtain a free electronic copy of this book by reading this section. In the Blog you can participate with your comments.

SLOAN’S LAKE GEESE(1)
Los Gansos del Lago (2) (Traducción)
1
Lake geese, not afraid
of cars nor snow nor people
such intrepid souls
2
Intrépidos gansos del lago
ni de carros, nieve o gente
tienen miedo

Doctor Ricardo J. Bogaert-Álvarez is a Dominican-American chemical engineer and poet. He was born in Santiago, Dominican Republic and grew up in a hacienda. After he obtained his B.S. at the PCUMM in Santiago and then obtained his chemical engineering masters and PhD at the University of Delaware. He has lived in the United States since 1981 and resides in Denver with his beloved wife Laura. He has published poems in the “El Sol” newspaper, “The New Press,” the Horizons” anthology and the “American Institute of Chemical Engineers” supplement among other publications.

He has published three poetry books: 1) “The Samurai Poet,” 2) “The Mask Behind My Face” (which is available in Amazon Kindle) and more recently “The Dance of the Phoenix.” In the latter book, each poem is in Spanish and English. He presented “The Dance of the Phoenix” in five cities of Colorado and in Santa Fe, New Mexico in 2019. This was followed by a tour in Dominican Republic where he presented this book in four cities during the month of March, 2020.

He is the vice president of the Columbine Poets, a poetry club at the state level in Colorado. In poetry contests of this club, he has won a third prize (2019) and an honorable mention (2015) in the formal poetry category and an honorable mention in the category of prose poem (2019). Contact information: drbogaert@gmail.com. Website https://www.drbogaert.com/

STATION ELEVEN: ANOTHER VIEW OF A PANDEMIC AND OUR FUTURE?

Why do we, well, really me, love apocalyptic novels? Is it because they voice our fears about our so-called civilization? Or is it because we secretly wish our society and all the crazy people and things that happen would get their comeuppance?

In any case, here’s another in the series, but one that’s stunningly well written as well as an attention-grabber. Station Eleven, by Emily St. John Mandel, published in 2014 and thrust into best-seller and best-book status, rings so true, every character—and there’s plenty of them, from an eight-year-old girl to a thumping good, evil, self-proclaimed prophet –could be your friends and neighbors.

Mandel’s fourth novel takes place primarily in the Great Lakes region after a fictional swine flu pandemic, known as the “Georgia Flu”, has devastated the world, killing most of the population. It won the Arthur C. Clarke Award in 2015. Although critics praise the understated nature of Mandel’s writing, I think that’s a misnomer. She simply lays out the characters and plot in a realistic, matter-of-fact way, so the 300 survivors in one area who take refuge in an airport function exactly like you’d envision your friends and neighbors would.

There’s lots of action, fighting off bad guys, battling for sheer survival, but also much insightful psychological and thoughtful musings about nature and humans and the earth’s future. Mandel’s talent as a literary author is indisputable. She doesn’t consider herself a “scfi” writer, but “literary.” I hesitate to use that term because it seems to scare people. Believe me, readers will adore both the content and the style.

Perhaps I’m not panicky over our current COVID pandemic because it’s not nearly as extreme as the other dystopian novels I’ve read—Ashfall, A Journal of the Plague Year, Hunger Games, Ship Breaker, Divergent, Rule of Three. When I close the covers of a book, I return to the world in which every one I’m attached to still survives and the culture around me still has unbelievable riches and opportunities. Yet each of these volumes, and most especially Station Eleven, carries a warning not to get too comfortable. For unless we improve our ways, that world could become one I don’t want.